Joe D-amato - Queen Of Elephants 2- Sahara -19... _hot_ Review
The story follows Jenny Mallory (played by Selen ), a young woman who grew up wild among elephants in Africa after a childhood tragedy. She is eventually "rescued" by her aristocratic relatives and brought back to a cold, Victorian-style life in Scotland, where she struggles to adapt to the constraints of civilization.
The film is primarily of interest to collectors of European exploitation cinema, fans of Joe D'Amato's complete filmography, or those studying the late-20th-century direct-to-video adult market.
D'Amato's commitment to quality and innovation has raised the bar for adult films, demonstrating that the genre can be both artistic and commercially successful. His dedication to his craft has earned him a loyal following, with fans and critics alike eagerly anticipating his next project. Joe D-Amato - Queen Of Elephants 2- Sahara -19...
(pseudonym for Donatella Donati), the film was shot on location in
Together, Queen of Elephants and its sequel Sahara represent a fascinating chapter in Joe D'Amato's filmography. They are prime examples of his late-career, high-production-value adult films that successfully blended explicit content with exotic, adventure-themed narratives. For fans of vintage adult cinema and the work of Joe D'Amato, these films are essential viewing, showcasing the director's unapologetic embrace of genre filmmaking, even in the most explicit contexts. They also stand as a testament to the star power of Selen, who was at her peak as Italy's most beloved adult film icon. The story follows Jenny Mallory (played by Selen
While not ranked alongside his more famous works, Sahara (1998) is a snapshot of the final phase of D'Amato's career, which continued until his death in 1999. It showcases his ability to produce a feature-length film with a very small budget, leveraging a "foreign" setting to create a sense of adventure, however tame compared to his earlier, more intense exploitation films.
The film was penned by frequent D'Amato collaborator Donna Dane and edited by Kathleen Stratton , keeping the tight-knit creative circle intact. D'Amato's commitment to quality and innovation has raised
Based on that, I’ll invent a for fans or archivists dealing with obscure/exploitation films like D’Amato’s:
, this 1998 Italian production marks a specific chapter in the late-career output of director Joe D’Amato. Despite the "Part 2" marketing, the film is not a narrative sequel to La regina degli elefanti