The injustice went beyond liner notes. Daisley says he and Kerslake were never paid performance royalties, and their songwriting contributions were consistently undervalued. In a 2002 interview, Daisley claimed that he wrote all of the lyrics for Ozzy’s first four solo albums – not Osbourne himself. “Ozzy is actually quoted in interviews of saying ‘when I wrote this’ and ‘when I wrote that’ … but he didn’t write any of the lyrics, so it is a bit of a blatant inaccuracy for him to say that,” Daisley said.
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He was fired again before release and replaced by Mike Inez (bass) and credited only as writer.
Music historians and rock enthusiasts frequently search for digital editions of this text because physical copies can be rare or expensive. The book contains hundreds of exclusive photographs, contract reproductions, and diary excerpts that make it a visual archive of the 1970s and 1980s rock scenes. It provides a rare look at the business mechanics, creative triumphs, and personal downfalls of the musicians who defined an era. To help you get the most out of your reading experience, bob daisley for facts sake pdf 1 new
If you find a legitimate copy of this PDF, you are not reading a typical rock memoir full of tour bus antics. "For Facts Sake" reads like a legal deposition crossed with a horror story. Here are three reasons it remains radioactive:
While the lure of a free PDF is strong, purchasing the book directly supports Bob Daisley’s ability to share these histories. Official digital versions are often available through major e-book retailers, ensuring you get the high-resolution images and correct formatting that pirated PDFs often lack.
Summarize the Daisley holds for Ozzy's hits.
First published in 2013, the book's title is a clever play on words that reflects Daisley's primary motivation: setting the historical record straight. Over the decades, credit and royalties for early 1980s metal masterpieces became the subject of bitter legal battles. Daisley wrote this memoir to present his documented truth. 1. The Birth of the Blizzard of Ozz The injustice went beyond liner notes
| Band | Years | Album(s) | Role | |------|-------|----------|------| | | 1977 | Long Live Rock ’n’ Roll | Bass, backing vocals (wrote “Gates of Babylon” intro bass line) | | Gary Moore | 1978–1979, 1982 | Back on the Streets , Corridors of Power | Bass, co-writer | | UFO | 1983 | Making Contact | Bass, co-writer of “When It’s Time to Rock” | | Black Sabbath | 1980 (brief) | – | Rehearsals only (never recorded) | | Uriah Heep | 1986–1987 | Equator | Bass, backing vocals | | Princess Pang | 1987 | Princess Pang (EP) | Bass, co-producer | | Living Loud | 2003–2005 | Living Loud | Bass, vocals, co-writer (with Steve Morse, Don Airey, Lee Kerslake) |
| Claim | True? | Evidence | |-------|-------|----------| | Wrote all lyrics on Blizzard of Ozz except “Crazy Train” | ✅ Yes | UK High Court 2004 ruling | | Wrote “Suicide Solution” lyrics | ✅ Yes | Daisley’s original lyric sheets | | Invented the bass intro to “Crazy Train” | ✅ Yes | Studio outtakes + engineer Max Norman | | Played bass on Diary of a Madman but erased | ✅ Yes | Restored 2011 | | Co-wrote “Mr. Crowley” music | ⚠️ Partial | Rhoads wrote main riff; Daisley arranged structure/lyrics | | Was Black Sabbath’s bassist in 1980 | ❌ No | Rehearsed with them, but no recording |
If you are looking to dive deeper into specific eras of his career, let me know if you would like me to unpack his time with , his creative relationship with Randy Rhoads , or the details of his historic music industry lawsuits . Share public link
A breakdown of his work with or Ritchie Blackmore Share public link “Ozzy is actually quoted in interviews of saying
Later Career and Legacy Through the 1990s and 2000s Daisley continued to work as a session musician, live performer, and collaborator. He recorded with numerous artists and remained active in touring and studio work. His influence is most evident in the records he helped create: albums where the bass lines are integral to the songs’ identities and where his co-written material became staples in many artists’ catalogs.
: Candid thoughts on the personalities of rock icons like Ritchie Blackmore and Sharon Osbourne. Supporting the Artist
Contributing to Moore's most successful rock and blues eras, including the hit Still Got the Blues .