Brent Homman is a proponent of "Pose-to-Pose" blocking with extreme silhouettes. He critiques the golden poses (The A, B, and C poses of the shot).
To understand the immense value of this master class, one must look at the careers of the mentors guiding the curriculum. Both Zach Parrish and Brent Homman have spent over a decade at the absolute pinnacle of the industry. Zach Parrish
During the blocking phase, instructors emphasize "appeal" and "silhouette." Students learn how to communicate the entire story of a shot using only a handful of key frames.
Here is a guide to who they are, what they teach, and why these specific masterclasses are highly valued in the animation community.
To understand the value of this Animsquad Master Class , it helps to examine the professional pedigree of the two instructors who led it. Zach Parrish: The Master of Speed and Snappy Cartoons animsquad master class disney s zach parrish brent homman
The course is split into two deep-dive demonstrations covering different ends of the animation spectrum: Zach Parrish: Animating a Cartoony Shot
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Fine-tuning the spacing to create convincing movement.
Learning how to shoot video reference that captures genuine human behavior rather than over-the-top, theatrical acting. Brent Homman is a proponent of "Pose-to-Pose" blocking
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Real-time verbalization of every step taken during the animation process.
The value of the AnimSquad Master Class lies in the remarkable expertise of its instructors:
Animation is more than making characters move; it is the art of making them live. For aspiring animators, learning how to inject that life into a character requires guidance from masters of the craft. AnimSquad’s Master Class, led by Disney Animation veterans Zach Parrish and Brent Homman, offers an elite training ground where students learn the exact workflows, philosophies, and techniques used in Hollywood’s biggest feature films. Both Zach Parrish and Brent Homman have spent
"Thirty years ago," Leo said. "Before pixels stole the soul."
“The audience doesn’t need to see the tear,” Homman explained. “They need to see the stop . The hitch in the breath. That’s Disney physics. It’s not real gravity; it’s emotional gravity.”
The course is designed as a start-to-finish demonstration of professional feature-film workflows, drawing on the mentors' combined experience from films like Wreck-It Ralph Zach Parrish: The Cartoony Shot Workflow
You might wonder why Animsquad chose to pair Parrish and Homman specifically. On the surface, they are both Disney vets. But pedagogically, they are yin and yang.
Are you an aspiring animator? What's the biggest challenge you're currently facing in your work? I'd love to hear about your experiences and goals in the comments below.