Gorillaz Discography -2000-2010- 6 Albums- 14 Singles- 136 Songs Jun 2026

| Album | Year | Songs (new studio tracks) | |-------|------|---------------------------| | Gorillaz | 2001 | 15 | | G-Sides | 2001/2 | 9 (B-sides) | | Demon Days | 2005 | 15 | | D-Sides (Disc 1 only) | 2007 | 12 (non-live, non-remix) | | Plastic Beach | 2010 | 16 | | The Fall | 2010 | 15 | | | | 82 songs |

– A glittering dance-pop track featuring vocals from Happy Mondays frontman Shaun Ryder.

The self-titled debut introduced the world to 2D, Murdoc Niccals, Noodle, and Russel Hobbs. Melding lo-fi punk, dub, hip-hop, and trip-hop, the album established their genre-blending signature style. Alienation, consumerism, and digital isolation. Sound: Raw, bass-heavy, and experimental. 2. Demon Days (2005)

Then the transmission ended. The band disappeared for six years.

In 1998, the band didn't exist. Not really. Murdoc Niccals, a thief with the teeth of a jackal and the ethics of a loan shark, saw a ghost on a London CCTV screen—a blur of pink hair and eyes like empty bullet holes. That ghost was 2-D, and he became the voice. Murdoc built a cyborg drummer (Noodle, age 11, fed on kung-fu and synth-pop) and a hulking dead-eyed bassist (Russel Hobbs, whose belly housed the souls of fallen hip-hop legends). They called themselves Gorillaz . The world thought they were a cartoon. They were wrong. | Album | Year | Songs (new studio

Built on a minimalist, homemade synth loop that captures the eco-dystopian atmosphere of Plastic Beach .

: The self-titled debut that introduced their signature blend of trip-hop, alternative rock, and hip-hop.

, Jamie Hewlett’s visuals and Damon Albarn’s production created a dense, lore-heavy universe. From the gritty trip-hop of their early work to the sprawling, orchestral synth-pop of the late 2000s, this era cemented Gorillaz as the ultimate pioneers of the digital age. track-by-track breakdown

: An expansive concept album addressing environmental themes with a massive roster of collaborators. Alienation, consumerism, and digital isolation

The first decade of Gorillaz (2000–2010) represents the "Golden Era" of the world’s most successful virtual band

When burst onto the scene in 2001, the music world didn’t know what hit it. Created by Damon Albarn (of Blur fame) and Jamie Hewlett (co-creator of Tank Girl ), the band was marketed as a virtual outfit featuring four cartoon members: 2-D (vocals, keys), Murdoc Niccals (bass), Noodle (guitar, vocals), and Russel Hobbs (drums). But behind the postmodern, animated facade was a groundbreaking musical project that effortlessly fused alternative rock, hip-hop, electronic, dub, and world music.

: A string of commercial releases starting from "Clint Eastwood" in 2001 through "Doncamatic" in late 2010, which formed the spine of their classic catalog.

that became global anthems like "Feel Good Inc." and "Clint Eastwood." With a staggering output of Demon Days (2005) Then the transmission ended

The journey began in earnest with the 2000 EP Tomorrow Comes Today, but it was the 2001 self-titled debut, Gorillaz, that shattered expectations. Propelled by the haunting, dub-influenced single Clint Eastwood, the album introduced the world to the four fictional members: 2D, Murdoc Niccals, Noodle, and Russel Hobbs. This era was characterized by a raw fusion of hip-hop, rock, and punk. To satisfy the growing cult following, the band followed up with G-Sides (2001) and the dub-heavy remix album Laika Come Home (2002), expanding their song count and proving that the virtual project was a deep, multi-layered musical experiment rather than a gimmick.

The band released six prominent full-length projects in this period, split between studio recordings and collections of rare material:

Environmentalism, plastic consumption, and commercial waste. Sound: Orchestral pop, cinematic synths, and nautical funk. 4. The Fall (2010)

The commercial engine of Gorillaz was driven by 14 official singles released during this decade. These tracks were accompanied by groundbreaking animated music videos that turned the cartoon band members into global pop icons.

: Their most commercially successful studio album, produced by Danger Mouse and featuring many guest artists.