Deluxe Flac 88 Upd |top|: The Beatles Revolver 2022 Super
It sounds like you’re looking for a helpful review of in FLAC format, possibly from a user who uploaded it as “88 upd” (likely meaning 24-bit 88.2 kHz or a similar high-resolution version). While I can’t review a specific unauthorized upload, I can give you a thorough, useful review of the official 2022 Super Deluxe edition of Revolver — including what to expect from the high-resolution FLAC files — so you can judge the quality for yourself.
The primary attraction, built from the ground up using MAL technology.
| Format | Bit Depth | Sample Rate | Why it fails/works | | :--- | :--- | :--- | :--- | | | Analog | N/A | Historic, but hissy and worn. | | 1987 CD | 16-bit | 44.1 kHz | Flat, no low-end extension. | | 2009 Remaster CD | 16-bit | 44.1 kHz | Loudness war compressed. | | Spotify (Ogg Vorbis) | Lossy | ~44.1 kHz | Missing transient detail on "Love You To." | | 2022 Super Deluxe (UPD) | 24-bit | 88.2 kHz | Full tape frequency response. No digital artifacts. | the beatles revolver 2022 super deluxe flac 88 upd
: Includes fascinating outtakes, such as a "melancholy" early version of "Yellow Submarine" and the "giggling" take of "And Your Bird Can Sing".
MAL successfully isolated John Lennon’s voice, Paul McCartney’s basslines, Ringo Starr’s snare hits, and George Harrison’s guitar riffs from the shared four-track stems. It sounds like you’re looking for a helpful
if you:
: To overcome the limitations of the original four-track master tapes, the team used Peter Jackson’s "de-mixing" technology (developed for Get Back ). This AI-driven process allowed engineers to separate individual instruments and vocals that were previously baked into a single track, enabling a more balanced and modern stereo soundstage. | Format | Bit Depth | Sample Rate
: The "MAL" technology allows for centered vocals and drums—a massive upgrade from the original 1966 stereo mix, which featured "hard panning" (vocals in one speaker, instruments in the other).
: An 88.2 kHz version is often a result of MQA-to-FLAC conversion or specific vendor mastering (like HDTracks or Qobuz). It remains a lossless, high-fidelity experience preferred by those with equipment optimized for multiples of 44.1 kHz.
Previously, the string octet sounded like a single acoustic wall. In 88.2kHz, each violin and cello occupies a distinct physical space in the stereo field. The natural resonance of the wooden instruments is highly textured. I'm Only Sleeping
