Keith Jarrett - My Song -2015- -flac 24-192-
The 192kHz sampling rate ensures that the phase relationships of the low frequencies remain perfectly intact. Danielsson’s bass notes do not bleed into a singular boom; instead, the listener can discern the finger pluck, the string rebound, and the resonance of the wooden instrument body. 4. "Country"
Keith Jarrett’s "My Song" is an album that rewards deep listening. It is not a technical showcase; it is a emotional journey through folk, modal jazz, and classical restraint. However, the respects that emotional content by removing the technical barriers of lower-resolution formats.
Reviewers describe the sound as "astounding," making it difficult to believe the recording is nearly 50 years old. The high-resolution file allows for better separation between Danielsson's lyrical bass and Christensen's textured percussion, while Garbarek’s soprano saxophone on the title track exhibits a "transcendent," wrenching emotion. Track-by-Track Breakdown
Keith Jarrett is a renowned American jazz pianist and composer, celebrated for his introspective and emotionally charged performances. "My Song" is a notable piece in his discography, often associated with his work as a solo artist.
What you hear on My Song is not four individual musicians, but a single acoustic organism. Jarrett’s lyrical title track, the haunting “Country,” and the sprawling “Mandala” depend entirely on the group’s ability to blend dynamics. The original vinyl and early CD transfers were excellent, but they carried the limitations of their formats—compressed dynamic range and, in the case of early CDs, a slightly brittle top end. Keith Jarrett - My Song -2015- -FLAC 24-192-
Human hearing caps at roughly 20 kHz, so why 192 kHz? It’s not about hearing ultrasonic frequencies; it’s about timing and transient response . The 192 kHz rate captures the initial attack of Garbarek’s reed and Jarrett’s hammer striking the string with far greater temporal accuracy than 44.1 kHz. In practice, this means:
The Pinnacle of Acoustic Jazz: Experiencing Keith Jarrett’s My Song in FLAC 24-Bit/192 kHz
This quartet created a unique blend of American jazz improvisation and European folk-influenced lyricism. My Song is arguably their most accessible and uplifting work, characterized by memorable melodies, spacious arrangements, and intense emotional interaction. The title track, "My Song," has become a modern jazz standard. Why the 2015/2016 FLAC 24-192 Reissue Matters
A bright, buoyant opener where Danielsson's bass lines intertwine perfectly with Jarrett’s left hand. My Song The 192kHz sampling rate ensures that the phase
In 2015, ECM—a label notoriously skeptical of gimmicky remasters—authorized a new high-resolution transfer from the original analog master tapes. This wasn’t a simple "loudness war" remaster. Instead, it was an archival-grade restoration, released simultaneously as a 180-gram vinyl and, crucially, as studio-quality digital files.
The release is the definitive way to listen to this jazz classic. It bridges the gap between the vintage analog sound and modern digital precision, offering a listening experience that is both intimate and explosive. For those who appreciate high-fidelity jazz, this remaster is an essential addition to any digital collection.
A high-quality external DAC that natively decodes 24-bit/192 kHz streams.
, focusing on the 24-bit/192kHz FLAC digital format, which offers a superior audiophile experience compared to previous CD reissues. Album Profile: Keith Jarrett - (2015 Hi-Res Edition) Keith Jarrett (European Quartet) Release Year (Original): 1978 (ECM) Release Year (Hi-Res): FLAC, 24bit-192kHz (High-Resolution) Jazz / Post-Bop / Nordic Folk-Jazz Manfred Eicher 1. Introduction: The Significance of "Country" Keith Jarrett’s "My Song" is an album
format, this version strips away the digital veils of earlier CD pressings, offering a transparency that brings you startlingly close to the original 1977 sessions at Talent Studio in Oslo. The Lineup: The "European Quartet"
The iconic, haunting melody is rendered with incredible transparency. The breathy texture of Garbarek’s tenor saxophone is vivid, while Christensen’s delicate cymbal work floats in the air.
: The interplay between Jan Garbarek (saxophones), Palle Danielsson (bass), and Jon Christensen (drums) is more transparent than ever, allowing the listener to "see" the performers in a three-dimensional soundstage. An Essential Journey