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was a surprise box-office resilient, maintaining a strong ranking in its second weekend. Streaming Arrivals Killers of the Flower Moon was making waves in its first full week on

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Popular media around 24-01-21 was heavily dictated by short-form vertical video ecosystem dynamics. was a surprise box-office resilient, maintaining a strong

Those trends have now either died or evolved. The comfort-viewing of 2021 has given way to the anxiety-viewing of 2024—audiences want true crime, dystopian thrillers, and documentaries about the collapse of systems, not just escapist fluff. The comfort-viewing of 2021 has given way to

By early 2024, the "Streaming Wars" transitioned from a battle of pure content volume to a war of retention and monetization. Flashpoint: Quality Over Quantity

By January 2021, the theatrical film industry had been devastated by the pandemic. According to the Golden Globes' box office report for the week of January 18–24, 2021, ticket sales in the United States were lagging a staggering 90 percent behind the figures from the same period the previous year. The number-one film at the US box office for the weekend ending January 24 was , a Liam Neeson action thriller that earned just $2.03 million domestically. In its ten days of release, the film had grossed only $6.09 million. Behind it sat a collection of films that would have been considered mid-list performers in normal times: The Croods: A New Age ($1.82 million), Wonder Woman 1984 ($1.6 million), Monster Hunter ($820,000), and News of the World ($810,000).

January 21, 2024, finds the video game world in a holding pattern before a massive release slate. However, two trends dominate the conversation: