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Early life: the scaffolding of an artist Kasami was born in a port town that smelled of diesel and orange peel. His childhood, he tells me, was a series of light leaks—sun through slatted blinds, projector bulb haloes, the flicker of borrowed film reels at a neighbor’s bar. His parents worked odd jobs; there was no one to tell him about film school or distribution deals. Instead, he learned to splice by hand, trading a week’s worth of groceries for a damaged 16mm camera. That improvisational ethic—making art because you must, not because an industry has granted you permission—remains central to his practice.
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