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In response to Emma Tamburlini's requests, NYU indicated a willingness to restrict access to the films for the duration of her lifetime. Furthermore, her mother, Clarice Price, believed Rivers simply wanted his daughters to "have the films," creating a family conflict over the material's fate.
Rivers, always eager to experiment with new mediums, embraced video as a tool for real-time documentation. The 1981 project "Growing" emerged during a period where Rivers was intensely focused on documenting his family, his aging body, and the passage of time. Key Themes of the Video Work
: One of the subjects, Emma Rivers Tamburlini, has publicly described the film as "nothing less than child pornography" and an act of abuse. Availability and Legal Status You cannot legally download or view . Its distribution is restricted for the following reasons: Permanent Restriction Documentary Growing 1981 Larry Rivers Download
Rivers speaks candidly about his anxieties regarding aging, his identity as a Jewish-American artist, and his roots in the New York jazz scene as a saxophone player.
Born Yitzroch Loiza Grossberg in the Bronx, New York, in 1923, Larry Rivers was initially a professional jazz saxophonist before turning to painting in his mid-twenties. He rose to prominence as a key figure bridging the gap between the introspective angst of Abstract Expressionism and the brash, commercial energy of Pop Art. His 1953 painting, Washington Crossing the Delaware , which reimagined a classic historical subject through a contemporary, figurative lens, became a landmark work and was quickly acquired by the Museum of Modern Art in New York.
: The footage involves minor children filmed in states of undress by a parental figure. Distributing, hosting, or downloading this material violates strict federal laws regarding child exploitation. Would you like: In response to Emma Tamburlini's
In 1976, Rivers began a personal film project titled Growing .
While Growing is permanently banned from public distribution, several legitimate documentaries explore Larry Rivers' influential art career, his jazz musicianship, and the controversies surrounding his life: N.Y.U. Doesn't Want Film of Larry Rivers's Naked Daughters
: In 1981, Rivers edited this footage into a 45-minute film titled Growing , which he intended to publicly display at an art exhibition. The 1981 project "Growing" emerged during a period
The documentary features a lyrical and introspective visual style, characterized by:
The acquisition immediately triggered a massive public scandal:
The footage showed his daughters topless or entirely naked. Behind the camera, Rivers would ask his daughters explicit questions about their sexuality, their changing bodies, and the physical development of their breasts.