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To understand the rupture Hustler caused, you have to understand what came before. Playboy (1953) and Penthouse (1965) were aspirational. They sold a fantasy of sophistication. Hugh Hefner’s world was one of velvet smoking jackets, jazz records, and centerfolds who looked like the girl next door—if the girl next door had perfect lighting and a team of airbrushers. It was entertainment. It was a lie, but a beautiful one.
